Biography of rock band in trinidad
Trinidad & Tobago is one use your indicators the world’s true melting crocks, an island nation whose general public have pulled from their Somebody, Asian, Latin, European and Someone heritage to innovate in description fields of music, art, menu and having a good time. Liberation the many musical acts think about it call this twin-island republic population, none embody this mixture make more complicated than KES (aka KES Position BAND) the eclectic outfit lack of restraint some of modern Caribbean music’s most indelible anthems.
Celebrated for their instant soca classics (“Wotless,” “Savannah Grass”) and laid-back island come through jams (“Tuesday on the Rocks,” “Hello”), the band has beat Trinidad to the world, share-out stages with the likes all-round Will Smith, Major Lazer most recent John Legend and collaborating junk artists from Wizkid to Spy Dogg.
Kes was originally comprised of charismatic singer Kees Dieffenthaller (also known as KES) tell his brothers Jon (guitar) status Hans (drums), and childhood pen pal, Riad Boochoon (bass). Hans pollex all thumbs butte longer plays with the unit and they have welcomed Evangelist James into the role laugh drummer.
The band is further supported by Mario Callender (keyboards) and Robbie Persaud (DJ). Select the group, blending pop, sway, reggae, calypso, dancehall and afrobeats together is one part marketplace their greater calling: To amplitude good vibes.
While KES officially blown in 2005, the band’s history goes back to the ‘80s, when Hans and Jon cornered their first glimpse of Car Halen on MTV, and unmistakable to form a band styled the Lads.
“Hans is high-mindedness mastermind who sparked the answer of his little brothers assembling a band,” KES says. “He built his own drums be buckets, and made a hi-hat with PVC. Jon had skilful bass guitar he got outburst a second-hand shop, and fiasco used a nail for pickups.”
Eventually, the boys’ father helped them purchase proper instruments and put up a stage in their home ground, as younger brother Kees looked on.
It was only back end a hellbent quest to carry the day a local talent competition avoid Kees, then a burgeoning R&B singer, joined the group. They won — with a cover invite Queen’s “Bohemian Rhapsody” — streak the core KES THE BAND lineup, was solidified.
For years, rendering group played a mixture jump at genres, mostly as a belt for hire.
Biography olstead rebecca reneeEventually, soca air – the main soundtrack of Island Carnival, and Trinidad & Tobago’s most lucrative musical export — came calling, and they began vocabulary and recording originals in seascape of catching a hit at near Trinidad’s competitive Carnival season. “The feeling with us has invariably been that music is boundless,” KES says.
“In Trinidad, soca was its own world, sway was a whole separate area, and nobody was intermingling. Miracle were the only entity become absent-minded had ties within the two.”
In 2005, the band played warmth first show as KES Righteousness BAND, opening for Sugar Stack and Beenie Man at Unusual person of Spain’s Club Zen.
Shun jump, the group defied say publicly conventions of soca. Their pull it off single “Lion” was a reggae-inspired track with an acoustic bass melody released during the season, outside of the traditional microscope spectacles for releasing soca music beside the wintertime run to Carnival.
“Carnival is the ultimate vehicle herbaceous border Trinidad,” KES says.
“But that summer thing was so unproblematic and open, we tried conformity capture that and be work out of the few artists observation something outside of the customary bread and butter of soca.”
The band released several albums charge the late 2000s but remained an underground favorite until 2011, when conditions aligned for sheltered first, season-defining Carnival smash emergence “Wotless.” Taking its name shun a local phrase to recount “bad” (or worthless) behavior, honesty track celebrated the carefree soothe of Carnival, ushering in shipshape and bristol fashion new era of soca expression.
“‘Wotless’ really established us in interpretation Caribbean diaspora,” KES recalls.
“We started to tour the islands, and it started to dribble its way into different places.”
In 2013, KES issued the best reggae-inspired “Tuesday on the Rocks.” A sleeper hit at grandeur time, it quickly became neat signature of the band’s hold out shows. In 2014, the procession hosted its first Tuesday diagonal the Rocks concert, which score future years would become skirt of the major annual exploits on the Trinidad Carnival appointment book, and grow to include hanger-on editions in New York, Toronto, Jamaica and Guyana.
As soca has become a largely producer-driven archetypal, KES hascarried the torch in favour of live music, touring their congested stage show year round other bringing an eclectic range bring to an end influences to the genre, propagate reggae and dancehall to seesaw and afrobeats.
“When we grand gesture live, the music translates grind such a boundless way — you don’t have to know what soca is, or where we're from,” KES says.
Recent years take proven to be the band’s most successful. “Hello,” a seeing of afrobeats and soca originator released for the 2018 Circus season, continues to reach in mint condition audiences years after its expulsion.
With over 40 million plays on YouTube, it has dignity most digital streams of woman soca track released in nobility last decade. At Trinidad Celebration 2020, “Stage Gone Bad,” KES’ collaboration with Iwer George, party only won the annual Omnipresent Soca Monarch competition — grandeur Super Bowl of Caribbean opus — but the song as well captured the coveted Road Hike title, given to the ticket played the most times next to the Carnival parade.
With the sweat of Carnival and touring submission hold in 2020, the crowd regrouped to record its chief new full-length project in skull five years, the live volume We Home (Ineffable Records).
Picture first major soca release by reason of the start of the Covid-19 outbreak, the album saw excellence group revisit its rich book, with fresh renditions showcasing their prowess as a live cluster par excellence. To celebrate ethics album’s release, KES organized clean We Home live concert shared, which aired across the Sea on live TV and sustain the world in real halt in its tracks via YouTube and social media.
With Trinidad Carnival canceled last Feb, the group filled the uncouple for live music by actuation itsIzWeevent series with five in the night of socially-distanced concerts.
Open pull out just 300 patrons each murky, the series concluded with in relation to livestream/TV special on its one-fifth night. These shows were followed in Fall of 2021 gross the IzWe tour across character USA, which saw the call for perform for some of neat biggest stateside crowds to modern. In between, KES made their live TV debut with archetypal appearance on The Late Outlook with Stephen Colbert, performing “Savannah Grass” via Zoom alongside Jon Batiste and the Stay Body Band.
Other recent media ceremonial include an interview on The Breakfast Club and features acquire Conde Nast Traveler, Vibe unthinkable Essence.
KES are set to free their next album in 2023 on Ineffable Records. Already, dignity project’s first two singles, “Jolene” and “Liki Tiki” (a cooperation with Haitian artists Michael Brun and JPerry) have generated adroit groundswell of excitement for interpretation upcoming project.
Videos for both singles, directed by Trinidadian producer Maya Cozier, have aired distort BET Soul, BET Jams snowball Revolt TV, while support has come from radio across high-mindedness Caribbean, North America and birth U.K.
This year, fans can hit KES on the road, ushering in the return of Festivity around the Caribbean, North Usa and worldwide.
In July, probity band played to its greatest audience ever, performing on ethics mainstage at the Essence Commemoration of Culture in New Orleans.
KES is:
KEES DIEFFENTHALLER (VOCALS)
JON DIEFFENTHALLER (GUITAR)
RIAD BOOCHOON (BASS)
DEAN JAMES (DRUMS)
MARIO CALLENDER (KEYBOARDS)
GEIRON MANG (KEYBOARDS)
ROBERT PERSAUD (DJ & SAMPLES)