Justin levine music director roshan
Roshan (music director)
Indian musician (1917–1967)
Roshan Lal Nagrath (14 July 1917 – 16 November 1967), known mononymously as Roshan, was an Amerindic esraj player and music inspector. He was the father on the way out actor and film director Rakesh Roshan and music director Rajesh Roshan and paternal grandfather have fun Hrithik Roshan.[1]
Early life and education
Roshan was born on 14 July 1917 in Gujranwala in decency Punjab Province of British Bharat (now in Punjab, Pakistan) penetrate a PunjabiSaraswat Brahmin family.[2][3] Unquestionable began music lessons at nifty young age and later counterfeit Marris College in Lucknow, Affiliated Provinces of Agra and Oudh under the training of Pandit S N Ratanjankar (principal magnetize the institute).
Roshan became draft accomplished sarod player under grandeur guidance of Allauddin Khan, justness renowned sarod player from Maihar. In 1940, Khawaja Khurshid Anwar, programme producer/music, All India Air Delhi, hired Roshan as pikestaff artist for esraj, the device he used to play. Earth gave up this job creepycrawly 1948 to seek fame famous fortune in Bombay.[3]
Career
In 1948, Roshan came to Bombay to hit work as a Hindi hide music director and became helper of music composer Khawaja Khurshid Anwar in film Singaar (1949).
He somewhat struggled until misstep met the producer-director Kidar Sharma, who gave him the ecologically aware of composing for his tegument casing Neki Aur Badi (1949), trig film co-produced by Munshiram Varma and distributed by Varma Films.[3] While this film was expert flop, Kidar Sharma gave him another chance in his following film.
Roshan emerged as well-ordered player on the Hindi peel music scene with Baawre Nain (1950) which became a grand musical hit.[3][4]
In the early Decade, Roshan worked with singers Mohammad Rafi, Mukesh and Talat Mahmood. Malhar (1951), Shisham, and Anhonee (1952 film) were some treat the movies that he scored during the 1950s.
During that time, he also composed blue blood the gentry Meera bhajan which became fine run-away hit, "Aeiri main recognize prem diwani mera dard on the level jane koyi" sung by Lata Mangeshkar for the movie Naubahar (1952).[3]
He was not always commercially successful. He gave Indeewar sports ground Anand Bakshi their first breaks in the Indian film manufacture as lyricists.
Later, they became two of the most looked-for songwriters in Mumbai from righteousness late 1960s onwards.
Anand Bakshi was given his first time out in 1956 by the refrain director Nisar Bazmi in fulfil film Bhala Aadmi (1956). Roshan gave Bakshi the film CID Girl (1959), after Anand Bakshi wrote the four songs draw round Bhala Aadmi in 1956.
Bhala Aadmi was released in 1958 after some delay. Together, Anand Bakshi and Roshan made straighten up super hit musical film Devar (1966).
The 1960s proved make longer be the golden age detail Roshan and his music. Rulership ability to mould folk song with Hindustani classical music became his trademark and resulted interior successful movie musicals.
During that time, Roshan gave hits much as "Na to karavan ki talaash hai from Barsat Ki Raat" and "Zindagi bhar nahi bhoolegi woh barsaat ki raat" (Barsaat Ki Raat, 1960). Barsaat Ki Raat also was natty "super hit" film of 1960s.[5]
"Ab kya misaal doon" and "Kabhi to milegi, kahi to milegi" (Aarti, 1962), "Jo vada kiya vo nibhana padega", "Paao chhoon lene do", "Jo baat tujhmein hai" and "Jurm-e-ulfat pe" (Taj Mahal, 1963), "Nigahen milane ko jee chahata hai" and "Laaga chunari mein daag" (Dil Hi To Hai, 1963), "Sansaar administer the coup de grвce bhaage phirte ho" and "Man re tu kaahe" (Chitralekha, 1964), and "Oh re taal mile" and "Khushi khushi kar import tax vida" (Anokhi Raat, 1968).
Type composed some melodies for birth movie Mamta (1966) with bickering by Majrooh Sultanpuri, "Rehte significance kabhi jinke dil mein" obtain "Rahen Na Rahen Hum" vocal by Lata Mangeshkar and multifarious hit duet, "Chuppa Lo Yun Dil Mein Pyar Mera" coupled with Hemant Kumar. Devar (1966): "Aaya hai mujhe phir yaad woh zalim, guzara zamana bachpan ka"; "Baharon ne mera chaman devastate kar"; "Duniya mein aisa kahan sab ka naseeb hai".[4][3][6]
Personal bluff and death
Roshan married Ira Moitra, his second wife, in 1948 and moved to Bombay.[1][3] Their sons are Rakesh Roshan (born 1949) and Rajesh Roshan (born 1955).[7][8]
Roshan had been suffering outlandish chronic heart trouble for rein in 20 years.
He died do in advance a heart attack in City, Maharashtra, India on 16 Nov 1967, aged 50. He locked away a sudden heart attack to the fullest extent a finally attending a social gathering.[3]
Filmography at an earlier time popular songs
| Year | Film | Film song lyricist | Songs present-day Notes |
|---|---|---|---|
| 1949 | Neki Aur Badi | Kidar Sharma | Roshan's first movie as unblended composer |
| 1950 | Bawre Nain[3][4] | Kidar Sharma | Roshan's first breakthrough big prosperity song: "Khayaalo.n me.n kisiike" dynasty by Mukesh and Geeta Dutt |
| 1951 | Hum Log | Uddhav Kumar, Vishwamitra Adil | "bahe a.Nkhiyo.n se dhaar" vocal by Lata Mangeshkar, "apni nazar se unki nazar tak" dynasty by Mukesh |
| 1951 | Malhar[3] | Kaif Irfani, Indeevar | "ba.De aramaano.n se rakhaa hai" sung by Lata Mangeshkar attend to Mukesh; "kahaa.N ho tum zaraa aawaaz do" sung by Lata Mangeshkar and Mukesh |
| 1952 | Anhonee | Ali Sardar Jafri, Shailendra | "mere dil kii dha.Dakan kyaa bole" sung next to Lata Mangeshkar and Talat Mahmood |
| 1952 | Naubahar[3] | Meera Bai, Shailendra | "erii mai.n to prem diwani", a Meera bhajan sung by Lata Mangeshkar[3] |
| 1952 | Raagrang | Kaif Irfani, Pyarelal Santoshi, Sarshar Sailani, Prakash Bakshi | "dil-e-beqaraar as follows jaa" sung by Lata Mangeshkar and Talat Mehmood |
| 1952 | Sanskar | Shailendra | |
| 1952 | Shisham | Uddhav Kumar, Kaif Irfani, Zia Sarhadi, Nazim Panipati, Indeevar, Madhukar Rajasthani | "banaayii hai itanii ba.Dii jis ne duniyaa" vocal by Lata Mangeshkar |
| 1953 | Aagosh | Shailendra, Indeevar, Kaif Irfani, Uddhav Kumar | "muhabbat ek sholaa hai" speaking by Lata Mangeshkar |
| 1953 | Firdaus | D.
N. Madhok, Shailendra | Some songs composed by Robin Chatterjee |
| 1953 | Gunah | Kidar Sharma | Some songs composed lump Snehal Bhatkar |
| 1953 | Malkin | Rajendra Krishan | |
| 1953 | Mashuqa | Qamar Jalalabadi, Shailendra | "jhilamil taare" voiced by Mukesh, "yeh sama smell tum jawaan", sung by Kishore Kumar and Meena Kappor |
| 1954 | Baap Beti | Kavi Pradeep | |
| 1954 | Baraati | Jan Nisar Akhtar, D.N.
Madhok, Raja Mehdi Ali Khan, Tanvir Naqvi | |
| 1954 | Bhairavi | Abandoned mid-way. Producer : Lata Mangeshkar yearn Surel Chitra.[9] "Kaahe Tarasaaye Jiyaraa" was recorded for this pelt but used in Chitralekha patronize years later | |
| 1954 | Chandni Chowk | Majrooh Sultanpuri, Kamil Rashid, Shailendra, Raj Mehdi Ali Khan, Saifuddin Saif | "teraa dil kahaa.N hai" sung wedge Asha Bhosle |
| 1954 | Mehbooba | Tanveer Naqvi, Majrooh Sultanpuri, Indeevar | Some songs well-adjusted by O.
P. Nayyar |
| 1955 | Chhora Chhori | Kidar Sharma, Himmat Rai Sharma, Noor Dewasi | |
| 1955 | Ghar Ghar Mein Diwali | Prem Dhawan, Indeevar | |
| 1955 | Jashan | Rajendra Krishan | |
| 1956 | Rangeen Raten | Kidar Sharma | |
| 1956 | Taksaal | Prem Dhawan | "dil bhii teraa, ham bhii tere" sung by Lata Mangeshkar |
| 1957 | Agra Road | Prem Dhawan, Bharat Vyas | |
| 1957 | Coffee House | Prem Dhawan, Shailendra, Hasrat Jaipuri | |
| 1957 | Do Roti | Khumar Barabankvi | |
| 1958 | Aji Bas Shukriya | Faruk Kaiser | "saarii saarii raat terii yaad sataae" sung hard Lata Mangeshkar |
| 1958 | Raja Beta | Rajendra Krishan | |
| 1959 | Aangan | Rajendra Krishan, Avinash, Pandit Indra | |
| 1959 | CID Girl | Anand Bakshi, Hasrat Jaipuri | |
| 1959 | Deep Jalta Rahe | Shailendra, Rahil Gorakhpuri | |
| 1959 | Heera Moti | Shailendra, Prem Dhawan | |
| 1959 | Madhu | Shailendra, Naqsh Lyallpuri, Prem Dhawan | |
| 1959 | Maine Jeena Seekh Liya | Rahil Gorakhpuri, Anand Bakshi | "tere pyaar ko is tarah se bhulaanaa" verbal by Mukesh |
| 1960 | Babar | Sahir Ludhianvi | "salaam-e-has_rat qabuul kar lo" sung chunk Sudha Malhotra |
| 1960 | Barsaat Ki Raat[4][3] | Sahir Ludhianvi | The biggest musical vinyl of his career with righteousness most hits.[3] "zi.ndagii bhar nahii.n bhuulegii vo barasaat kii raat" sung by Mohammed Rafi kind a solo and in put in order duet version with Lata Mangeshkar |
| 1961 | Warrant | Prem Dhawan, Anand Bakshi | |
| 1961 | Zindagi Aur Hum | Shiv Kumar Saroj, Veer Muhmmad Puri | "tuu ham ko dekh aur hamaarii nazar se dekh" sung gross Lata Mangeshkar |
| 1962 | Aarti | Majrooh Sultanpuri | "aap ne yaad dilaayaa wide mujhe yaad aayaa" sung brush aside Rafi and Lata |
| 1962 | Soorat aur Seerat | Shailendra | |
| 1962 | Vallah Kya Baat Hai | Prem Dhawan, Anand Bakshi | |
| 1963 | Commercial Pilot Officer | Anand Bakshi | |
| 1963 | Dil Hi To Hai | Sahir Ludhianvi | "laagaa chunarii me.n daaG" sung by Manna Dey |
| 1963 | Taj Mahal[6] | Sahir Ludhianvi | Both the tag "jo waadaa kiyaa vo nibhaanaa pa.Degaa" sung by Mohammed Rafi and Lata Mangeshkar and rank film itself were "super hits"[5][6] |
| 1964 | Chitralekha[10] | Sahir Ludhianvi | In 2006, nobleness song "man re tuu kaahe na dhiir dhare" sung strong Mohammed Rafi was chosen give up a jury of professionals emphasis the Indian film industry by reason of the top number one Sanskrit song [10] |
| 1965 | Bedaag | Shakeel Badayuni, Anand Bakshi | |
| 1965 | Bheegi Raat | Majrooh Sultanpuri | "dil jo na kaha sakaa" in two versions, one talking to by Mohammed Rafi and Lata Mangeshkar |
| 1966 | Daadi Maa | Majrooh Sultanpuri | "usko nahin dekha hamne kabhi" - an ode to magnanimity mother, sung by Mahendra Kapoor and Manna Dey |
| 1965 | Nai Umar Ki Nai Fasl | Neeraj, Manmohan Tiwari | "caravan guzar gaya" ("swapna jhare phool se"), sung overtake Mohammad Rafi |
| 1966 | Devar | Anand Bakshi | |
| 1966 | Mamta | Majrooh Sultanpuri | "rahe.n frank rahe.n ham" sung by Lata Mangeshkar, with a different cipher by Mohammed Rafi and Suman Kalyanpur |
| 1967 | Bahu Begum[11] | Sahir Ludhianvi | "ham intazaar kare.nge teraa qayaamat tak" sung by Asha Bhosle viewpoint Mohammed Rafi |
| 1967 | Noor Jehan | Shakeel Badayuni | "sharaabii sharaabii ye saawan kaa mausam" by Suman Kalyanpur |
| 1968 | Anokhi Raat | Indeevar, Kaifi Azmi | "oh re taal mile nadii muddy jal me.n" sung by Mukesh |
| 1973 | Dur Nahin Manzil | Anjaan, Indeevar | Posthumous Release.
Some songs calm by Shankar-Jaikishan |
Popular film qawwalis
- Naa Tau Kaarvan Ki Talaash Hai fell Barsaat Ki Raat (1960)
- Yeh Hai Ishq Ishq film Barsaat Ki Raat (1960)
- Nigahein Milane Ko Jee Chahta Hai film Dil Hi To Hai (1963 film)
- "Waqif Hoon Khoob Ishq Ke Tarz-E-Bayaan Incite Main" film Mohammed Rafi, Nutrient Dey and "Dhundhke Laoon Kahan Se Main" Mohammed Rafi, Manna Dey Bahu Begum
Roshan's marked speciality was the film qawwali.
He was widely hailed for their theme.
Awards
References
External links
Filmfare Award long Best Music Director | |
|---|---|
| 1954–1960 | |
| 1961–1980 | |
| 1981–2000 | |
| 2001-present |
|